



Contact Sheet Print: Shivali, Juhu Beach, Mumbai, India, 2017
In 2016 and 2017, Olivia Arthur traveled to Mumbai, India, capturing identity and intimacy in society in a series named In Private/Mumbai. With growing religious conservatism and the re-criminalization of gay sex, privacy and seclusion were necessary for self-expression, even safety. In the quiet of peopleās homes, Arthur captured members of the LGBTQ+ community in undisturbed, frank momentsāstripped bare of societal pressure or judgment and in stark contrast to the busy, bustling life of Indiaās largest city: āPhotographing people in their private spaces, I began to find a confidence and intimacy that is ready to be shared.ā
Arthur photographed this series on Linhof and Graflex large format cameras. She describes them as old fashioned cameras where the photographer has to put her head under a cloth. āThereās nothing discreet about it,ā she says. Toes of one foot en pointe like a ballet dancer are shown in the Contact Sheet, Shivali, a dancer and trans-woman on Juhu Beach. Mumbai. India. 2017. āI had no idea whether people would be willing to make these pictures when I came to Mumbai,ā Arthur says. āIt was interesting to see how people could be relaxed, how much bolder people were than we thought theyād be. There was a real readiness to be out there.ā
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Description
In 2016 and 2017, Olivia Arthur traveled to Mumbai, India, capturing identity and intimacy in society in a series named In Private/Mumbai. With growing religious conservatism and the re-criminalization of gay sex, privacy and seclusion were necessary for self-expression, even safety. In the quiet of peopleās homes, Arthur captured members of the LGBTQ+ community in undisturbed, frank momentsāstripped bare of societal pressure or judgment and in stark contrast to the busy, bustling life of Indiaās largest city: āPhotographing people in their private spaces, I began to find a confidence and intimacy that is ready to be shared.ā
Arthur photographed this series on Linhof and Graflex large format cameras. She describes them as old fashioned cameras where the photographer has to put her head under a cloth. āThereās nothing discreet about it,ā she says. Toes of one foot en pointe like a ballet dancer are shown in the Contact Sheet, Shivali, a dancer and trans-woman on Juhu Beach. Mumbai. India. 2017. āI had no idea whether people would be willing to make these pictures when I came to Mumbai,ā Arthur says. āIt was interesting to see how people could be relaxed, how much bolder people were than we thought theyād be. There was a real readiness to be out there.ā
























