
Fine Print: Girl at the flower shop. New York, 1958
After quitting LIFE magazine in 1954, W. Eugene Smith moved into a shabby loft in New Yorkâs flower district. Smith described the broken window as âthe proscenium arch with me on the third stage looking through it, ⊠and the whole audience in performance down before me, an everchanging pandemonium of delicate details and habitual rhythms.â LIFE published this work, âAs From My Window I Sometimes Glance,â under the headline âDrama Beneath a City Windowâ on March 10, 1958, and in its 1978 book Great Photographic Essays from LIFE. The caption read: âBursting from the floristâs in what was probably her Communion dress, the girl seemed a Dresden figurine come alive. Amid cityâs tired things â ashcan, hydrant, battered flower stands â she became a creature of lovely fantasy. âFor the moment,â Smith remembers, âshe took over the scene. Everyone turned to look at her.â Then she was gone.â
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After quitting LIFE magazine in 1954, W. Eugene Smith moved into a shabby loft in New Yorkâs flower district. Smith described the broken window as âthe proscenium arch with me on the third stage looking through it, ⊠and the whole audience in performance down before me, an everchanging pandemonium of delicate details and habitual rhythms.â LIFE published this work, âAs From My Window I Sometimes Glance,â under the headline âDrama Beneath a City Windowâ on March 10, 1958, and in its 1978 book Great Photographic Essays from LIFE. The caption read: âBursting from the floristâs in what was probably her Communion dress, the girl seemed a Dresden figurine come alive. Amid cityâs tired things â ashcan, hydrant, battered flower stands â she became a creature of lovely fantasy. âFor the moment,â Smith remembers, âshe took over the scene. Everyone turned to look at her.â Then she was gone.â
























